Innisfree Garden, Millbrook, New York, 1982Gelatin silver print
10 × 8 in.
signed with photographer’s credit stamp on print recto and notes in pencil photographer's hand
For Yang, photographing Innisfree was a form of alignment—with its history, its makers, and its evolving presence. The garden’s integration of sculpted terrain, reflective water, and framed views invited him to work with patience, letting the space dictate his vantage. The resulting images are less straightforward documents than meditations, conveying Innisfree’s essence as a work shaped equally by human vision and natural forces. In them, the garden becomes a meeting ground for art, landscape, and time.