Innisfree Garden, Millbrook, New York, 1984Gelatin silver print
8 × 10 in.
Photographer’s credit stamp on print recto and notes in pencil photographer's hand
Seasonal change was central to Yang’s engagement with Innisfree. He returned in winter for the stark silhouettes of trees and stone against snow, in spring for emergent textures, and in autumn for the long light that softened edges. This cyclical approach reflected Collins’ belief that a garden should offer new experiences year-round.Inquire